|
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Jane
Aaron (University of Glamorgan)
‘Saxon, Think
not All Is Won’: Felicia Hemans and the Making of
Britons (Issue 4: 05/2000)
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|
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Brian
Robert Bates (University of Denver)
Wordsworth’s
‘Library of Babel’: Bibliomania, the 1814
Excursion, and the 1815 Poems
(Issue 14: Summer 2005)
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Jacqueline
Belanger (Cardiff University)
Some Preliminary Remarks
on the Production and Reception of Fiction Relating to
Ireland, 1800–1829 (Issue
4: 05/2000)
|
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Margareta
Björkman (University of Uppsala)
High and Low: Some
Remarks on the Reading Culture of the Late Eighteenth
and Early Nineteenth Centuries (Issue 3: 09/1999)
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|
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Benjamin
Colbert (University of Wolverhampton)
Bibliography of
British Travel Writing, 1780–1840: The European
Tour, 1814–1818 (excluding Britain and Ireland)
(Issue 13: Winter 2004)
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|
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Janette
Currie (University of Stirling)
Re-Visioning James
Hogg: The Return of the Subject to Wordsworth’s
‘Extempore Effusion’ (Issue 15: Winter
2005)
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Andrew
Davies (Cardiff University)
‘The Gothic
Novel in Wales’ Revisited: A Prelimary Survey of
Wales-Related Romantic Fiction at Cardiff University
(Issue 2: 08/1998)
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| |
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Kathryn
Dawes (Cardiff University)
Anonymity and the Pressures of
Publication in the Early Nineteenth Century (Issue
4: 05/2000)
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Gavin
Edwards (University of Glamorgan)
George Crabbe: A Case Study
(Issue 16: Summer 2006)
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| |
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Marie-Luise
Egbert (Chemnitz University of Technology)
The English Landscape Garden and
the Romantic-Era Novel: Changing Concepts of Space
(Issue 5: 11/2000)
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| |
|
Bianca
Falbo (Lafayette College)
Henry Reed and William
Wordsworth: An Editor–Author Relationship and the
Production of British Romantic Discourse (Issue 15:
Winter 2005)
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| |
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Derek
Furr (Bard College)
The Perfect Match: Wordsworth’s
‘The Triad’ and Coleridge’s ‘Garden
of Boccacio’ in Context (Issue 15: Winter 2005)
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| |
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Peter
Garside (Cardiff University)
Mrs Ross and Elizabeth
B. Lester: New Attributions (Issue 2: 08/1998)
|
| |
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Peter
Garside (Cardiff University)
Scott and the ‘Common’
Novel (Issue 3: 09/1999)
|
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Peter
Garside & Anthony Mandal (Cardiff University)
Producing Fiction in
Britain, 1800–1829 (Issue 1: 08/1997)
|
| |
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Peter
Garside (University of Edinburgh) & Gillian Hughes
(University of Stirling)
James Hogg’s
Tales and Sketches and the Glasgow Number Trade
(Issue 14: Summer 2005)
|
|
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Imke
Heuer (University of York)
‘Shadows of
Beauty, Shadows of Power’: Heroism, Deformity, and
Classical Allusion in Joshua Pickersgill’s The
Three Brothers and Byron’s The Deformed
Transformed (Issue 12: Summer
2003)
|
| |
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Jonathan
Hill (St Olaf College)
Minerva at Aberdeen: A. K. Newman
and Books in Boards (Issue 16: Summer 2006)
|
| |
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Richard J. Hill (University of Hawaii, Maui Community College)
Scott, Hogg, and the Gift-Book Editors: Authorship in the Face of Industrial Production (Issue 19: Winter 2009) |
|
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Lisa
Hopkins (Sheffield Hallam University)
Jane C. Loudon’s
The Mummy!: Mary Shelley Meets George Orwell,
and They Go in a Balloon to Egypt (Issue
10: 06/2003)
|
|
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Avril
Horner (University of Salford) & Sue Zlosnik (Liverpool
Hope University College)
Dead Funny: Eaton Barrett
The Heroine as Comic Gothic (Issue 5: 11/2000)
|
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Donald
Kerr (University of Otago, Dunedin)
‘Satire is Bad Trade’: Dr John Wolcot and his Publishers and Printers in Eighteenth-Century England (Issue 12: Summer 2004)
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Angela
Koch (University of Paderborn)
Gothic Bluebooks in
the Princely Library of Corvey and Beyond
(Issue 9: 12/2002)
|
|
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Aruna
Krishnamurthy (Lewis and Clark College)
‘Assailing the
Thing’: Politics of Space in William Cobbett’s
Rural Rides (Issue 7: 12/2001)
|
| |
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Rita
J. Kurtz & Jennifer L. Womer (Lehigh University)
The Novel as Political
Marker: Women Writers and their Female Audiences in the
Hookham and Carpenter Archives, 1791–1798 (Issue
13: Winter 2004)
|
| |
|
Rolf
Loeber & Magda Stouthamer-Loeber (University of Pittsburgh)
The Publication of
Irish Novels and Novelettes, 1750–1829: A Footnote
on Irish Gothic Fiction (Issue 10: 06/2003)
|
| |
|
Anthony
Mandal (Cardiff University)
Revising the Radcliffean
Model: Jane Austen’s Northanger Abbey and
Regina Maria Roche’s Clermont (Issue
3: 09/1999)
|
|
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Bernard McKenna (University of Delaware)
The ‘Disposition to Combine’: Thomas Campbell’s The Pleasures
of Hope, Edmund Burke, and the Power of the Poetic Imagination
to Reconcile and Reform (Issue 18: Summer 2008) |
|
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Laura
Mandell (Miami University in Oxford, Ohio)
Hemans and the Gift-Book
Aesthetic (Issue 6: 06/2001)
|
|
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Michael
Page (University of Nebraska–Lincoln)
Mary Meeke’s
Something Strange: The Development of the Novel
and the Possibilities of the Imagination (Issue
11: 12/2003)
|
| |
|
Pam
Perkins (University of Manitoba)
Planting Seeds of
Virtue: Sentimental Fiction and the Moral Education of
Women (Issue 6: 06/2001)
|
| |
|
Markus Poetzsch (Wilfred Laurier University)
From Eco-Politics to Apocalypse The Contentious Rhetoric of Eighteenth-Century Landscape Gardening (Issue 19: Winter 2009) |
| |
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Franz
Potter (Plymouth State University/Southern New Hampshire
University)
Writing for the Spectre
of Poverty: Exhuming Sarah Wilkinson’s Bluebooks
and Novels (Issue 11: 12/2003)
|
| |
|
John Pruitt (University of Wisconsin–Rock County)
Collecting the National Drama in Revolutionary England (Issue 19: Winter 2009) |
| |
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Sharon
Ragaz (University of Toronto)
Writing to Sir Walter:
The Letters of Mary Bryan Bedingfield (Issue 7: 12/2001)
|
|
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Jacqueline
Rhodes (CSU San Bernardino)
Copyright, Authorship,
and the Professional Writer: The Case of William Wordsworth
(Issue 8: 06/2002)
|
| |
|
Peter
Simonsen (University of Southern Denmark)
‘Would that Its Tone Could
Reach the Rich!’: Thomas Hood’s Periodical
Poetry bridging Romantic and Victorian (Issue 16:
Summer 2006)
|
| |
|
Margaret
J.-M. Sonmez (Middle East Technical University of Turkey)
Archaisms in ‘The
Rime of the Ancient Mariner’ (Issue 9: 12/2002)
|
| |
|
Anne
Stevens (New York University)
Tales of Other Times:
A Survey of British Historical Fiction, 1770–1812
(Issue 7: 12/2001)
|
|
|
David Stewart (University of Glasgow)
T. G. Wainewright’s
Art Criticism and Metropolitan Magazine Style (Issue
17: Summer 2007)
|
| |
|
Barbara Vesey (Sheffield Hallam University)
‘The Approbation of my Own Heart’: Virtue and Duty in
Harriet Ventum’s Selina and Justina (Issue 18: Summer 2008) |
| |
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Tamara
Wagner (National University of Singapore)
Nostalgia for Home
or Homelands: Romantic Nationalism and the Indeterminate
Narrative in Frances Burney’s The Wanderer
(Issue 10: 06/2003)
|
| |
|
Amy
E. Weldon (University of North Carolina, Chapel Hill)
‘The Common
Gifts of Heaven’: Animal Rights and Moral Education
in Anna Letitia Barbauld’s ‘The Mouse’s
Petition’and ‘The Caterpillar’ (Issue
8: 06/2002)
|
| |
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Lisa
M. Wilson (SUNY Potsdam)
British Women Writing
Satirical Works in the Romantic Period Gendering Authorship
and Narrative Voice (Issue 17: Summer 2007)
|
| |
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Maximiliaan van Woudenberg (Sheridan Institute of Technology)
Remediating Byron: Textual Information Overload during
Byron’s 1816 Travels (Issue 18: Summer 2008) |
